Rabu, 31 Maret 2010

[D384.Ebook] PDF Ebook Anthropology at the Front Lines of Gender-Based ViolenceFrom Brand: Vanderbilt University Press

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Anthropology at the Front Lines of Gender-Based ViolenceFrom Brand: Vanderbilt University Press

Anthropology at the Front Lines of Gender-Based Violence is a broad and accessible volume, with a truly global approach to understanding the lives of front-line workers in women's shelters, anti-violence organizations, and outreach groups. Often written from a first-person perspective, these essays examine government workers, volunteers, and nongovernmental organization employees to present a vital picture of practical approaches to combating gender-based violence.

  • Sales Rank: #1949346 in Books
  • Brand: Brand: Vanderbilt University Press
  • Published on: 2011-08-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .80" w x 5.90" l, .85 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Review
"Anthropologists and social work and health care professionals as well as human rights activists will find this book of interest. Highly recommended."
--Choice

"In their introduction, Weis and Haldane stress the magnitude of the problem of gender-based violence internationally and the need for awareness of the interaction between global and local responses. This volume makes a significant contribution to that process."
--Anthropology Now

""The editors' innovative ethnographic focus on front-line workers makes a significant contribution to the multidisciplinary and interdisciplinary field of gender-based violence studies."
--Madelaine Adelman, Arizona State University

"Above all else, this work's greatest value will come from bringing together into one volume professional/applied and scholarly/theoretical currents that are too often unaware of, much less actively engaging, one another. The writing is approachable, the cases and analysis compelling, and the political commitment unmistakable."
--Sarah Hautzinger, author of Violence in the City of Women

"This volume will appeal to scholars and practitioners who write and teach about gender-based violence."
--Mindie Lazarus-Black, Temple University, author of Everyday Harm

From the Inside Flap
The inside stories of workers struggling to counter violence

About the Author
Jennifer R. Wies is Assistant Professor of Anthropology at Eastern Kentucky University.

Hillary J. Haldane is Assistant Professor of Anthropology at Quinnipiac University.

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Minggu, 28 Maret 2010

[G977.Ebook] Free PDF Modern Magick Eleven Lessons in the High Magickal Arts, by Donald micheal kraig

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Modern Magick Eleven Lessons in the High Magickal Arts, by Donald micheal kraig

"Modern Magick is a modern day classic. It has become the standard textbook of practical magical knowledge for magicians all over the world. We highly recommend it to beginner and Adept alike." Chic Cicero and Sandra Tabatha Cicero, Authors of Experiencing the Kabbalah; Self-Initiation Into the Golden Dawn Tradition; and The Golden Dawn Magical System "The information given in Modern Magick is clear, concise, educational and extremely practical! I personally learned more from this single volume than any other stylized instruction book that I have read on today's magickal marketplace." Silver RavenWolf, Author of To Ride a Silver Broomstick; To Stir a Magick Cauldron; and Angels: Companions in Magick

  • Sales Rank: #6234157 in Books
  • Published on: 1992
  • Original language: English
  • Binding: Paperback

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23 of 23 people found the following review helpful.
Essential Magick Course for the Beginning Magus
By EquesNiger
DM Kraig's essential masterwork is one of the key texts which has taken magick and again thrust it into the daylight. Magickal orders worldwide, from pagans, to Wiccans to the Golden Dawn, owe the tremendous rise in interest in magick in large part to Kraig's influence through this phenomenal volume. Unlike other texts, most characterized by Crowley's habit of talking around magickal theory, Kraig's text emphasizes the "DOING" in magick, and gets the reader/student performing rituals and making magick from the very first chapter. While heavily influenced and almost wholly based on the Golden Dawn system, Modern Magick also incorporates other systems, with a whole lotta pagan workings and a dash of tantric thrown in, to boot. Kraig was one of the first authors to address the much lamented tendency that ceremonial magicians talk ALOT about magick, but actually DO very little. This book is FUNDAMENTALLY focused on doing, and, while a course for the beginner, takes the student through sufficiently advanced magick to satisfy the depth of knowledge any novice is likely to aspire to. Also, Kraig doesn't spend tons of pages on the theoretical aspects, instead giving a cliff notes overview, then pointing the student to other, more comprehensive texts by authors more erudite on them than Kraig wishes to be so he can get the student back to doing magick! It's still the best course in magick out there, and anyone aspiring to learn magick of any sort should purchase this text and pursue the regimen of study and practice within!

6 of 6 people found the following review helpful.
What is magic?
By JB
Before I discovered this text, I was ambivalent to the idea of magic. What does it mean? On the one hand, I had ideas that magic was something evil and anti-Christian; while on the other hand I equated it to the fantasy world of tricks by entertainers like David Copperfield the magician, or fairy tales like Cinderella. This book has certainly dispelled much of my ignorance on the subject.
I am learning that magic is multifaceted, very spiritual and is a very practical tool (or way of life for many) to spiritual development and personal upliftment.
The path suggested by this work is not for the lazy. It requires discipline and commitment. The coursework provided is practical and explanations are as simple as one can expect from a subject matter that can get quite complex. I believe the complexity of the subject matter makes it necessary for one to spend a reasonable amount of time and effort on each lesson, as suggested by the author, in order to master the exercises.
For those who are not interested in the practice of magic, however, this book provides more than a glimpse into the world of the practician. It also reveals that in our daily lives, we all practice and or experience a little bit of magic every day. Just being alive and functioning in a world as complex as ours, is magic at work.
If you want to get the most out of this work, follow the instructions carefully. Do not rush. Take the time to practice the excercises, master them, and savor the results.

1 of 1 people found the following review helpful.
For new students beginning to studying Ceremonial Magic
By Dominic
This single book will get any new student up and running with PRACTICAL work in Ceremonial Magic. Understand before you buy this book, that it is for the study of CEREMONIAL MAGIC. If you are looking for Witchcraft or New Age ..., this book will not satisfy you (although it does contain some elements of both). I would give this work 5 stars, but there are too many deviations from the traditional Golden Dawn material. I am a purist. If you say you are going to present Golden Dawn techniques, then don't alter the content of it. Present it as it was meant to be. However, if this book is used in conjunction with Regardies' "The Golden Dawn" * AND * the Ciceros' "Self-Initiation", you will have the ability to check the differences and make any corrections that are necessary.

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Kamis, 25 Maret 2010

[X389.Ebook] Ebook Download Prince of Thorns (The Broken Empire), by Mark Lawrence

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Prince of Thorns  (The Broken Empire), by Mark Lawrence

When he was nine, he watched as his mother and brother were killed before him. At thirteen, he led a band of bloodthirsty thugs. By fifteen, he intends to be king…

It’s time for Prince Honorous Jorg Ancrath to return to the castle he turned his back on, to take what’s rightfully his. Since the day he hung pinned on the thorns of a briar patch and watched Count Renar’s men slaughter his mother and young brother, Jorg has been driven to vent his rage. Life and death are no more than a game to him—and he has nothing left to lose. But treachery awaits him in his father’s castle. Treachery and dark magic. No matter how fierce his will, can one young man conquer enemies with power beyond his imagining?

  • Sales Rank: #25321 in Books
  • Brand: Brand: Ace
  • Published on: 2012-07-31
  • Released on: 2012-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.00" w x 4.30" l, .36 pounds
  • Binding: Mass Market Paperback
  • 336 pages
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  • Used Book in Good Condition

Review
“This book is brilliant.” --Galaxy Book Reviews

“[A] morbidly gripping, gritty fantasy tale.” --Publishers Weekly

“The best book I’ve read all year…[Lawrence] pulls you in and doesn’t let go.” --New York Times bestselling author Peter V. Brett

“Prince of Thorns deserves attention as the work of an iconoclast who seems determined to turn that familiar thing, Medievalesque Fantasy Trilogy, entirely on its head.” --Locus

About the Author
Mark Lawrence�is a research scientist working on artificial intelligence. He is a dual national with both British and American citizenship, and has held secret-level clearance with both governments. At one point, he was qualified to say, “This isn’t rocket science—oh wait, it actually is.” He is the author of the Broken Empire trilogy (Prince of Thorns,�King of Thorns, and�Emperor of Thorns) and the Red Queen’s War trilogy (Prince of Fools,�The Liar’s Key, and�The Wheel of Osheim).

Excerpt. � Reprinted by permission. All rights reserved.
1

Ravens! Always the ravens. They settled on the gables of the church even before the injured became the dead. Even before Rike had finished taking fingers from hands, and rings from fingers. I leaned back against the gallows-post and nodded to the birds, a dozen of them in a black line, wise-eyed and watching.

The town-square ran red. Blood in the gutters, blood on the flagstones, blood in the fountain. The corpses posed as corpses do. Some comical, reaching for the sky with missing fingers, some peaceful, coiled about their wounds. Flies rose above the wounded as they struggled. This way and that, some blind, some sly, all betrayed by their buzzing entourage.

'Water! Water!' It's always water with the dying. Strange—it's killing that gives me a thirst.

And that was Mabberton. Two hundred dead farmers lying with their scythes and axes. You know, I warned them that we do this for a living. I said it to their leader, Bovid Tor. I gave them that chance, I always do. But no. They wanted blood and slaughter. And they got it.

War, my friends, is a thing of beauty. Those as says otherwise are losing. If I'd bothered to go over to old Bovid, propped up against the fountain with his guts in his lap, he'd probably take a contrary view. But look where disagreeing got him.

'Shit-poor farm maggots,' Rike discarded a handful of fingers over Bovid's open belly. He came to me, holding out his takings, as if it was my fault. 'Look! One gold ring. One! A whole village and one fecking gold ring. I'd like to set the bastards up and knock 'em down again. Fecking bog-farmers.'

He would too: he was an evil bastard, and greedy with it. I held his eye. 'Settle down, Brother Rike. There's more than one kind of gold in Mabberton.'

I gave him my warning look. His cursing stole the magic from the scene; besides, I had to be stern with him. Rike was always on the edge after a battle, wanting more. I gave him a look that told him I had more. More than he could handle. He grumbled, stowed his bloody ring, and thrust his knife back in his belt.

Makin came up then and flung an arm about each of us, clapping gauntlet to shoulder-plate. If Makin had a skill, then smoothing things over was it.

'Brother Jorg is right, Little Rikey. There's treasure aplenty to be found.' He was wont to call Rike 'Little Rikey', on account of him being a head taller than any of us and twice as wide. Makin always told jokes. He'd tell them to those as he killed, if they gave him time. Liked to see them go out with a smile.

'What treasure?' Rike wanted to know, still surly.

'When you get farmers, what else do you always get, Little Rikey?' Makin raised his eyebrows all suggestive.

Rike lifted his visor, treating us to his ugly face. Well brutal more than ugly. I think the scars improved him. 'Cows?'

Makin pursed his lips. I never liked his lips, too thick and fleshy, but I forgave him that, for his joking and his deathly work with that flail of his. 'Well, you can have the cows, Little Rikey. Me, I'm going to find a farmer's daughter or three, before the others use them all up.'

They went off then, Rike doing that laugh of his—'hur, hur, hur'—as if he was trying to cough a fishbone out.

I watched them force the door to Bovid's place opposite the church, a fine house, high roofed with wooden slates and a little flower garden in front. Bovid followed them with his eyes, but he couldn't turn his head.

I looked at the ravens, I watched Gemt and his half-wit brother, Maical, taking heads, Maical with the cart and Gemt with the axe. A thing of beauty, I tell you. At least to look at. I'll agree war smells bad. But, we'd torch the place soon enough and the stink would all turn to wood-smoke. Gold rings? I needed no more payment.

'Boy!' Bovid called out, his voice all hollow like, and weak.

I went to stand before him, leaning on my sword, tired in my arms and legs all of a sudden. 'Best speak your piece quickly, farmer. Brother Gemt's a-coming with his axe. Chop-chop.'

He didn't seem too worried. It's hard to worry a man so close to the worm-feast. Still it irked me that he held me so lightly and called me 'boy'. 'Do you have daughters, farmer? Hiding in the cellar maybe? Old Rike will sniff them out.'

Bovid looked up sharp at that, pained and sharp. 'H-how old are you, boy?'

Again the 'boy'. 'Old enough to slit you open like a fat purse,' I said, getting angry now. I don't like to get angry. It makes me angry. I don't think he caught even that. I don't think he even knew it was me that opened him up not half an hour before.

'Fifteen summers, no more. Couldn't be more…' His words came slow, from blue lips in a white face.

Out by two, I would have told him, but he'd gone past hearing. The cart creaked up behind me, and Gemt came along with his axe dripping.

'Take his head,' I told them. 'Leave his fat belly for the ravens.'

Fifteen! I'd hardly be fifteen and rousting villages.

By the time fifteen came around, I'd be King!

2

Mabberton burned well. All the villages burned well that summer. Makin called it a hot bastard of a summer, too mean to give out rain, and he wasn't wrong. Dust rose behind us when we rode in; smoke when we rode out.

'Who'd be a farmer?' Makin liked to ask questions.

'Who'd be a farmer's daughter?' I nodded toward Rike, rolling in his saddle, almost tired enough to fall out, wearing a stupid grin and a bolt of samite cloth over his half-plate. Where he found samite in Mabberton I never did get to know.

'Brother Rike does enjoy his simple pleasures,' Makin said.

He did. Rike had a hunger for it. Hungry like the fire.

The flames fair ate up Mabberton. I put the torch to the thatched inn, and the fire chased us out. Just one more bloody day in the years' long death throes of our broken empire.

Makin wiped at his sweat, smearing himself all over with soot-stripes. He had a talent for getting dirty, did Makin. 'You weren't above those simple pleasures yourself, Brother Jorg.'

I couldn't argue there. 'How old are you?' that fat farmer had wanted to know. Old enough to pay a call on his daughters. The fat girl had a lot to say, just like her father. Screeched like a barn owl: hurt my ears with it. I liked the older one better. She was quiet enough. So quiet you'd give a twist here or there just to check she hadn't died of fright. Though I don't suppose either of them was quiet when the fire reached them…

Gemt rode up and spoiled my imaginings.

'The Baron's men will see that smoke from ten miles. You shouldn'ta burned it.' He shook his head, his stupid mane of ginger hair bobbing this way and that.

'Shouldn'ta,' his idiot brother joined in, calling from the old grey. We let him ride the old grey with the cart hitched up. The grey wouldn't leave the road. That horse was cleverer than Maical.

Gemt always wanted to point stuff out. 'You shouldn'ta put them bodies down the well, we'll go thirsty now.' 'You shouldn'ta killed that priest, we'll have bad luck now.' 'If we'd gone easy on her we'd have a ransom from Baron Kennick.' I just ached to put my knife through his throat. Right then. Just to lean out and plant it in his neck. 'What's that? What say you, Brother Gemt? Bubble, bubble? Shouldn'ta stabbed your bulgy old Adam's apple?'

'Oh no!' I cried, all shocked like. 'Quick, Little Rikey, go piss on Mabberton. Got to put that fire out.'

'Baron's men will see it,' said Gemt, stubborn and red-faced. He went red as a beet if you crossed him. That red face just made me want to kill him even more. I didn't, though. You got responsibilities when you're a leader. You got a responsibility not to kill too many of your men. Or who're you going to lead?

The column bunched up around us, the way it always did when something was up. I pulled on Gerrod's reins and he stopped with a snicker and a stamp. I watched Gemt and waited. Waited until all thirty-eight of my brothers gathered around, and Gemt got so red you'd think his ears would bleed.

'Where we all going, my brothers?' I asked, and I stood in my stirrups so I could look out over their ugly faces. I asked it in my quiet voice and they all hushed to hear.

'Where?' I asked again. 'Surely it isn't just me that knows? Do I keep secrets from you, my brothers?'

Rike looked a bit confused at this, furrowing his brow. Fat Burlow came up on my right, on my left the Nuban with his teeth so white in that soot-black face. Silence.

'Brother Gemt can tell us. He knows what should be and what is.' I smiled, though my hand still ached with wanting my dagger in his neck. 'Where we going, Brother Gemt?'

'Wennith, on the Horse Coast,' he said, all reluctant, not wanting to agree to anything.

'Well and good. How we going to get there? Near forty of us on our fine oh-so-stolen horses?'

Gemt set his jaw. He could see where I was going.

'How we going to get there, if we want us a slice of the pie while it's still nice and hot?' I asked.

'Lich Road!' Rike called out, all pleased that he knew the answer.

'Lich Road,' I repeated, still quiet and smiling. 'What other way could we go?' I looked at the Nuban, holding his dark eyes. I couldn't read him, but I let him read me.

'Ain't no other way.'

Rike's on a roll, I thought, he don't know what game's being played, but he likes his part.

'Do the Baron's men know where we're going?' I asked Fat Burlow.

'War dogs follow the front,' he said. Fat Burlow ain't stupid. His jowls quiver when he speaks, but he ain't stupid.

'So…' I looked around them, real slow-like. 'So, the Baron knows where bandits such as ourselves will be going, and he knows the way we've got to go.' I let that sink in. 'And I just lit a bloody big fire that tells him and his what a bad idea it'd be to follow.'

I stuck Gemt with my knife then. I didn't need to, but I wanted it. He danced pretty enough too, bubble bubble on his blood, and fell off his horse. His red face went pale quick enough.

'Maical,' I said. 'Take his head.'

And he did.

Gemt just chose a bad moment.

3

'Two dead, two wrigglers.' Makin wore that big grin of his.

We'd have camped by the gibbet in any case, but Makin had ridden on ahead to check the ground. I thought the news that two of the four gibbet cages held live prisoners would cheer the brothers.

'Two,' Rike grumbled. He'd tired himself out, and a tired Little Rikey always sees a gibbet as half empty.

'Two!' the Nuban hollered down the line.

I could see some of the lads exchanging coin on their bets. The Lich Road is as boring as a Sunday sermon. It runs straight and level. So straight it gets so as you'd kill for a left turn or a right turn. So level you'd cheer a slope. And on every side, marsh, midges, midges and more marsh. On the Lich Road it didn't get any better than two caged wrigglers on a gibbet.

Strange that I didn't think to question what business a gibbet had standing out there in the middle of nowhere. I took it as a bounty. Somebody had left their prisoners to die, dangling in cages at the roadside. A strange spot to choose, but free entertainment for my little band nonetheless The brothers were eager, so I nudged Gerrod into a trot. A good horse, Gerrod. He shook off his weariness and clattered along. There's no road like the Lich Road for clattering along.

'Wrigglers!' Rike gave a shout and they were all racing to catch up.

I let Gerrod have his head. He wouldn't let any horse get past him. Not on this road. Not with every yard of it paved, every flagstone fitting with the next so close a blade of grass couldn't hope for the light. Not a stone turned, not a stone worn. Built on a bog, mind you!

I beat them to the wrigglers, of course. None of them could touch Gerrod. Certainly not with me on his back and them all half as heavy again. At the gibbet I turned to look back at them, strung out along the road. I yelled out, wild with the joy of it, loud enough to wake the head-cart. Gemt would be in there, bouncing around at the back.

Makin reached me first, even though he'd rode the distance twice before.

'Let the Baron's men come,' I told him. 'The Lich Road is as good as any bridge. Ten men could hold an army here. Them that wants to flank us can drown in the bog.'

Makin nodded, still hunting his breath.

'The ones who built this road… if they'd make me a castle—' Thunder in the east cut across my words.

'If the Road-men built castles we'd never get in anywhere,' Makin said. 'Be happy they're gone.'

We watched the brothers come in. The sunset turned the marsh pools to orange fire, and I thought of Mabberton.

'A good day, Brother Makin,' I said.

'Indeed, Brother Jorg,' he said.

So, the brothers came and set to arguing over the wrigglers. I went and sat against the loot-cart to read while the light stayed with us and the rain held off. The day left me in mind to read Plutarch. I had him all to myself, sandwiched between leather covers. Some worthy monk spent a lifetime on that book. A lifetime hunched over it, brush in hand. Here the gold, for halo, sun, and scrollwork. Here a blue like poison, bluer than a noon sky. Tiny vermilion dots to make a bed of flowers. Probably went blind over it, that monk. Probably poured his life in here, from young lad to grey-head, prettying up old Plutarch's words.

The thunder rolled, the wrigglers wriggled and howled, and I sat reading words that were older than old before the Road-men built their roads.

'You're cowards! Women with your swords and axes!' One of the crow-feasts on the gibbet had a mouth on him.

'Not a man amongst you. All pederasts, trailing up here after that little boy.' He curled his words up at the end like a Merssy-man.

'There's a fella over here got an opinion about you, Brother Jorg!' Makin called out.

A drop of rain hit my nose. I closed the cover on Plutarch. He'd waited a while to tell me about Sparta and Lycurgus, he could wait some more and not get wet doing it. The wriggler had more to say and I let him tell it to my back. On the road you've got to wrap a book well to keep the rain out. Ten turns of oilcloth, ten more turns the other way, then stash it under a cloak in a saddlebag. A good saddlebag mind, none of that junk from the Thurtans, good double-stitched leather from the Horse Coast.

The lads parted to let me up close. The gibbet stank worse than the head-cart, a crude thing of fresh-cut timber. Four cages hung there. Two held dead men. Verydead men. Legs dangling through the bars, raven-pecked to the bone. Flies thick about them, like a second skin, black and buzzing. The lads had taken a few pokes at one of the wrigglers, and he didn't look too cheerful for it. In fact he looked as if he'd pegged it. Which was a waste, as we had a whole night ahead of us, and I'd have said as much, but for the wriggler with the mouth.

'So now the boy comes over! He's finished looking for lewd pictures in his stolen book.' He sat crouched up in his cage, his feet all bleeding and raw. An old man, maybe forty, all black hair and beard and dark eyes glittering. 'Take the pages to wipe your dung, boy,' he said fierce-like, grabbing the bars all of a sudden, making the cage swing. 'It's the only use you'll get from it.'

'We could set a slow fire?' Rike said. Even Rike knew the old man just wanted us angry, so we'd finish him quick. 'Like we did at the Ronwood gibbets.'

A few chuckles went up at that. Not from Makin though. He had a frown on under his dirt and soot, staring at the wriggler. I held up a hand to quiet them down.

'It'd be a shameful waste of such a fine book, Father Gomst,' I said.

Like Makin, I'd recognized Gomst through all that beard and hair. Without that accent though he'd have got roasted.

'Especially an "On Lycurgus" written in high Latin, not that pidgin-Romano they teach in church.'

'You know me?' He asked it in a cracked voice, weepy all of a sudden.

'Of course I do.' I pushed both hands through my lovely locks, and set my hair back so he could see me proper in the gloom. I have the sharp dark looks of the Ancraths. 'You're Father Gomst, come to take me back to school.'

'Pr-prin…' He was blubbing now, unable to get his words out. Disgusting really. Made me feel as if I'd bitten something rotten.

'Prince Honorous Jorg Ancrath, at your service.' I did my court bow.

'Wh-what became of Captain Bortha?' Father Gomst swung gently in his cage, all confused.

'Captain Bortha, sir!' Makin snapped a salute and stepped up. He had blood on him from the first wriggler.

We had us a deathly silence then. Even the chirp and whir of the marsh hushed down to a whisper. The brothers looked from me, back to the old priest, and back to me, mouths hanging open. Little Rikey couldn't have looked more surprised if you'd asked him nine times six.

The rain chose that moment to fall, all at once as if the Lord Almighty had emptied his chamber pot over us. The gloom that had been gathering set thick as treacle.

'Prince Jorg!' Father Gomst had to shout over the rain. 'The night! You've got to run!' He held the bars of his cage, white-knuckled, wide eyes unblinking in the downpour, staring into the darkness.

And through the night, through the rain, over the marsh where no man could walk, we saw them coming. We saw their lights. Pale lights such as the dead burn in deep pools where men aren't meant to look. Lights that'd promise whatever a man could want, and would set you chasing them, hunting answers and finding only cold mud, deep and hungry.

I never liked Father Gomst. He'd been telling me what to do since I was six, most often with the back of his hand as the reason.

'Run Prince Jorg! Run!' old Gomsty howled, sickeningly self-sacrificing.

So I stood my ground.

4

The dead came on through the rain, the ghosts of the bog-dead, of the drowned, and of men whose corpses were given to the mire. I saw Red Kent run blind and flounder in the marsh. A few of the brothers had the sense to take the road when they ran, most ended in the mire.

Father Gomst started praying in his cage, shouting out the words like a shield: 'Father who art in heaven protect thy son. Father who art in heaven.' Faster and faster, as the fear got into him.

The first of them came up over the sucking pool, and onto the Lichway. He had a glow about him like moonlight, something that you knew would never warm you. You could see his body limned in the light, with the rain racing through him and bouncing on the road.

Nobody stood with me. The Nuban ran, eyes wide in a dark face. Fat Burlow looking as if the blood was let from him. Rike screaming like a child. Even Makin, with a horror on him.

I held my arms wide to the rain. I could feel it beat on me. I didn't have so many years under my belt, but even to me the rain fell like memory. It woke wild nights in me when I stood on the Keep Tower, on the edge above a high fall, near drowned in the deluge and daring the lightning to touch me.

'Our Father who art in heaven. Father who art…' Gomst started to gabble when the lich came close. It burned with a cold fire and you could feel it licking at your bones.

I kept my arms wide and my face to the rain.

'My father isn't in heaven Gomsty,' I said. 'He's in his castle, counting out his men.'

The dead thing closed on me, and I looked in its eyes. Hollow they were.

'What have you got?' I said.

And it showed me.

And I showed it.

There's a reason I'm going to win this war. Everyone alive has been fighting a battle that grew old before they were born. I cut my teeth on the wooden soldiers in my father's war-room. There's a reason I'm going to win where they failed. It's because I understand the game.

'Hell,' the dead man said. 'I've got hell.'

And he flowed into me, cold as dying, edged like a razor.

I felt my mouth curl in a smile. I heard my laughing over the rain.

A knife is a scary thing right enough, held to your throat, sharp and cool. The fire too, and the rack. And an old ghost on the Lichway. All of them might give you pause. Until you realize what they are. They're just ways to lose the game. You lose the game, and what have you lost? You've lost the game.

That's the secret, and it amazes me that it's mine and mine alone. I saw the game for what it was the night when Count Renar's men caught our carriage. There was a storm that night too, I remember the din of rain on the carriage roof and the thunder beneath it.

Big Jan had fair hauled the door off its hinges to get us out. He only had time for me though. He threw me clear; into a briar patch so thick that the Count's men persuaded themselves I'd run into the night. They didn't want to search it. But I hadn't run. I'd hung there in the thorns, and I saw them kill Big Jan. I saw it in the frozen moments the lightning gave me.

I saw what they did to Mother, and how long it took. They broke little William's head against a milestone. Golden curls and blood. And I'll admit that William was the first of my brothers, and he did have his hooks in me, with his chubby hands and laughing. Since then I've taken on many a brother, and evil ones at that, so I'd not miss one or three. But at the time, it did hurt to see little William broken like that, like a toy. Like something worthless.

When they killed him, Mother wouldn't hold her peace, so they slit her throat. I was stupid then, being only nine, and I fought to save them both. But the thorns held me tight. I've learned to appreciate thorns since.

The thorns taught me the game. They let me understand what all those grim and serious men who've fought the Hundred War, have yet to learn. You can only win the game when you understand that it is a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him lose them all.

'What have you got for me, dead thing?' I asked.

It's a game. I will play my pieces.

I felt him cold inside me. I saw his death. I saw his despair. And his hunger. And I gave it back. I'd expected more, but he was only dead.

I showed him the empty time where my memory won't go. I let him look there.

He ran from me then. He ran, and I chased him. But only to the edge of the marsh. Because it's a game. And I'm going to win.

Most helpful customer reviews

187 of 210 people found the following review helpful.
Grim, Dark, Fantastic: Lawrence is the new KJ Parker
By Amazon Customer
All I can say about this book is "wow". Actually, that's a lie; I have a lot more to say. These kind of grim, ultra-harsh fantasies with anti-hero leads are really hard to write well. Getting the right mix of believability and twisted viciousness in the protagonist, while not making the reader totally hate him, is tough. Before reading this, KJ Parker (Fencer trilogy, Scavenger trilogy) was the undisputed king in this area; now Lawrence (the author) joins him as one of the great masters of dark fantasy.

The plot is solid: in a Jack Vance "Dying Earth"-ish future, scores of petty kings and nobles compete to reclaim an empire, while in the shadows magicians and necromancers manipulate and control events for their own agendas. The protagonist, Prince Jorg, has been on the road with the roughest band of killers for four years, forging himself into a weapon after his mother and brother were killed in front of him. Having taken control of this brotherhood of brigands, he decides to return home and attempt to take his birthright, sparking further trials and conquests.

The writing style was very good, the pacing was great, and flashbacks filled in the backstory in nicely digestible pieces. As a note, I'm normally not such a fan of flashbacks, but Lawrence managed to keep them germane, where each one helped further the main storyline, rather than distracting from it. Lawrence, like Parker, really excels in his character portrayal of Jorg, and captures his semi-psychotic nature. I liked the combat writing too; typically fast, vicious, and clever, it avoided pitfalls of unbelievable actions or lengthy, technically complicated duels, while still included more than enough blood and bodies.

Overall a great effort, and possibly the best dark fantasy I've read since the Fencer trilogy. Recommended to anyone that likes a dark fantasy, and particularly to those that like KJ Parker (and vice versa).

78 of 87 people found the following review helpful.
One of the Best Anti-heroes in a Long Time
By Amanda M Lyons
What a wonderfully dark and often humorous trip this books has been!

Prince of Thorns is the story of Honorous Jorg Ancrath as much a prince of thievery and cruelty as he is to the throne currently occupied by his less than chivalrous father. A smart quick-witted and brutal 15 year old, Jorg is often taken for less than the sum of his experience. He is no less than a rogue and has more than earned his place among his Brothers of the road by cracking skulls as much as by leadership.

Jorg is no ordinary teenager. He's lived among the brutal marauders, under their rules for the last four years. He left his father's castle by his own choice at the age of ten on a quest to avenge his mother and brother who were horribly murdered before his eyes. His quest as yet unfinished he travels his world making war and death his stock and trade. Until that is he's brought home and the path he's chosen is forced to change.

I haven't read a book with such a great first person narrative in ages! Jorg makes no bones about just what sort of person he's become since he left his father's castle telling us exactly what it is he and his men do as they wander about in as clear detail as he cares to offer. Jorg it seems has become an evildoer and relishes the action and battle he finds with his comrades though that horrible night which changed his life is never far from his thoughts. While this should make him a less than sympathetic character it well and truly doesn't! While he's capable of a great deal of wrong he's also a very keen wit and is clearly acting to survive in a world he feels has no sympathy for the innocent. He is essentially giving his world back the same pain and misery it has given him only with a lot more charm and cunning than it bargained for!

While Jorg is only 15 he speaks with the voice of a man twice his age and with a wry sort of humor most couldn't take in such darkness. His companions and the many combatants they meet along the way are just as intriguing as the storyteller himself. I think any fantasy fan is going to love this book! The voice Jorg tells his tale with (there is more on the way thank goodness!) is crisp clear and very easy to get caught up in. Lawrence's writing is hugely entertaining and he takes us to so many unexpected places that you can't help but want to read more. This books is a treat to read and well worth the time invested!

69 of 79 people found the following review helpful.
Prince of thorns
By Blodeuedd
Note: review by a friend

Brother Jorg, Prince Honorous Jorg Ancrath, will be King by fifteen. Emperor by 21, probably. But at the moment he is a road bandit, rapist, butcher, torturer. And he is the hero of the book Prince of Thorns, by Mark Lawrence.

You get heroes of all kind in fantasy literature - heroes with varying degree of skill, powers and motivation. The good guys are pure of heart and clean of face. Then we have the anti-heroes, the unwilling heroes who have the hero-hood thrust upon them, but they always come through, and finally show their heart of gold.

Brother Jorg is at the far end of that scale, you might say. He is a stone cold bastard, thirteen year of age, killed more men than the plague. But ok - the land is riddled with war; the feuds between the little kingdoms have been going on for decades, centuries. If he can become the Emperor, at least there will be no more war.

Prince of Thorns is the first book of a trilogy, where we will follow Jorg's path. The set is an alternate Europe (with magic, ghosts and monstrosities), refreshing it its simplicity. The focus is entirely on Jorg. His stubbornness and lack of fear is legendary - he survives against overwhelming odds by a mixture of intelligence, brutality, dirty tricks, cunning, necromancy, etc.

What do I think about it? If you can get through the initial revulsion in the first dozens of pages (where the author really grinds your nose into the feces of brutality and immorality, to get your mind on the right track) it's a wonderful book! A page turner, I personally read it in one sitting. Ok, you may learn that Jorg has had a rough childhood to motivate his deeds, but that doesn't really matter. It is refreshing to just be able to follow the machinations of an artful bastard, winning against all odds. Just don't expect much romance and love - there is a hint, but no more.

Conclusion:
Extremely different! But refreshingly so. I will read the other two books, that's a promise.

Rating:
Recommended, for some

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Sabtu, 20 Maret 2010

[Q136.Ebook] Ebook Free The Story of Paul J. Meyer: The Million Dollar Personal Success Plan, by Lois S. Strain, Gladys W. Hudson

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The Story of Paul J. Meyer: The Million Dollar Personal Success Plan, by Lois S. Strain, Gladys W. Hudson

Book by Strain, Lois S., Hudson, Gladys

  • Sales Rank: #1352851 in Books
  • Brand: Brand: Frederick Fell Pub
  • Published on: 1988-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 193 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Lots of advice from a billionaire
By Myloanking
Seems like I have heard most of this from other authors. Meyer may have published iut and been copied but most ties to the bible Proverbs, But it made it to my book shelf. Books are the papers we pile up and stand higher on until we get out of the hole of life, debt. Smiles

1 of 1 people found the following review helpful.
Inspiring Great Story
By Frank
Inspiring,Paul J meyer is the product of his Product.what a remarkable Man.the book describes in a very easy to follow format how to apply the nessesary tools for Success.

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Jumat, 19 Maret 2010

[J315.Ebook] PDF Ebook Qualitative Data Analysis: A Methods Sourcebook, by Matthew B. Miles, A. Michael Huberman, Johnny Saldaña

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Qualitative Data Analysis: A Methods Sourcebook, by Matthew B. Miles, A. Michael Huberman, Johnny Saldaña

The Third Edition of Miles & Huberman's classic research methods text is updated and streamlined by Johnny Salda�a, author of The Coding Manual for Qualitative Researchers. Several of the data display strategies from previous editions are now presented in re-envisioned and reorganized formats to enhance reader accessibility and comprehension. The Third Edition’s presentation of the fundamentals of research design and data management is followed by five distinct methods of analysis: exploring, describing, ordering, explaining, and predicting. Miles and Huberman's original research studies are profiled and accompanied with new examples from Salda�a's recent qualitative work. The book's most celebrated chapter, "Drawing and Verifying Conclusions," is retained and revised, and the chapter on report writing has been greatly expanded, and is now called “Writing About Qualitative Research.” Comprehensive and authoritative, Qualitative Data Analysis has been elegantly revised for a new generation of qualitative researchers.

  • Sales Rank: #47352 in Books
  • Published on: 2013-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .75" l, 2.10 pounds
  • Binding: Paperback
  • 408 pages

Review
"This book is a wonderful, valuable and truly important contribution to the field of qualitative research. Saldana has updated, innovated and altogether advanced the insights and wisdom of practice of Miles and Huberman in such a way as to amplify the value of their work while making it even more usable and inspiring to researchers concerned with engaging in rigorous, reflective, systematic and reliable empirical research. This book adds great value to the field of qualitative research and I will use it in all of my methods courses with great enthusiasm and appreciation. Thank you for your hard work, I am grateful!" (Sharon Ravitch)

"I definitely plan to adopt this edition when it becomes available.� In recent years, this has been a text I encourage student to use as a reference.� The new edition will be a required textbook for my Advanced Qualitative Research course." (Mary Madden)

“The new material is well integrated, it still has the Miles and Huberman content, but the presentation strategy adds new material and “softens” the quantitative edge of the Second Edition.� I think the section on coding (Chapter 4) is an excellent presentation and surpasses similar material in Salda�a’s previous book. This book continues to be the best basic sourcebook available." (James H. Banning 2013-03-15)

"Yes, this is a much improved 3rd edition and I know my students will find it extremely valuable as a handbook, instructional guide, and day-to-day resource in their qualitative analysis activities." (Carolyn Garcia)

“All in all, the updated Sourcebook is an impressive accomplishment in preserving Miles and Huberman’s original vision while also moving research approaches forward with the changing demands of the field...Salda�a reorganized the Sourcebook with great care and according to Miles and Huberman’s five primary purposes of data display: to explore, describe, order, explain, and predict...With all its helpful updates, the new and improved Sourcebook provides an extensive overview and a range of practical applications of possible and ‘elusive’ qualitative data analysis methods (aimed primarily at textual data).”

(Elmar Hashimov, Ball State University)

Several of the data display strategies from the previous editions are retained and MHS [Miles, Huberman, and Saldana] presents them in reenvisioned and reorganized formats that will, I believe, enhance reader accessibility and comprehension...The book provides a display (p. 340), taken from the second edition, that illustrates an "overview of qualitative data analysis processes." The display is a concept map, starting with the research question and ending with the dissemination and use of the report. The bulk of MHS (Chapters 5–10) talks about what is in between these points. The concept map is complex and will be valuable for readers, whatever their level of coding experience. (Molly Engle, American Journal of Evaluation)

About the Author
Matthew B. Miles, a social psychologist, had a career-long interest in strategies for educational reform. His work focused on planned change in education, group and organizational studies, and the dissemination and implementation of research findings. His first major research project was a four-year study of six new, innovative public schools.

A. Michael Huberman’s long-term interests were in scientific epistemology and adult cognition and knowledge use. His work focused on education policy, school reform, and the practical translation of research knowledge into effective school practice. His first extensive project was a four-year study of an experimental elementary school’s implementation of Piagetian theories into classroom practice..

Johnny Salda�a is Professor Emeritus of Theatre from the Herberger Institute for Design and the Arts’ School of Film, Dance, and Theatre at Arizona State University. He has been involved in the field of theatre as a teacher educator, director, playwright, and qualitative researcher.�Salda�a’s research methods have been used and cited internationally for studies in K-12 and higher education, the fine arts, business, technology, social sciences, government, social services, communication, human development, sport, health care, and medicine. He is the author of Longitudinal Qualitative Research: Analyzing Change Through Time (AltaMira Press, 2003), recipient of the 2004 Outstanding Book Award from the National Communication Association’s Ethnography Division; Ethnodrama: An Anthology of Reality Theatre (AltaMira Press, 2005), an edited collection of ethnographic-based plays; The Coding Manual for Qualitative Researchers (Sage Publications, 2009; second edition, 2013), a handbook on qualitative data analysis; Fundamentals of Qualitative Research (Oxford University Press, 2011), a commissioned introductory textbook and volume one of the Understanding Qualitative Research series; Ethnotheatre: Research from Page to Stage (Left Coast Press, 2011), a playwriting primer for performance ethnography and recipient of the American Educational Research Association’s Qualitative Research Special Interest Group’s 2012 Outstanding Book Award; and Qualitative Data Analysis: A Methods Sourcebook, third edition (Sage Publications, 2014), a commissioned update and revision of the late Matthew B. Miles and A. Michael Huberman’s second edition (1994) book, Qualitative Data Analysis: An Expanded Sourcebook.

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0 of 0 people found the following review helpful.
Pretty good book on qualitative data analysis
By Rachel in Washington
I've been pretty happy with this book -- clearly describes their recommended approach for analyzing qualitative data. In short, they are all about TABLES. They spend chapter after chapter presenting different variations on the types of tables you can use to summarize and analyze and draw connections in your qualitative data. I'm not totally sold on the need for tables if you're coding your data in NVivo anyway, but it's interesting to read this perspective and it seems like there could certainly be occasions when tables would make sense. Plus this book is considered seminal, so it's a good one to get and read.

5 of 5 people found the following review helpful.
Great Resource
By Kimi
This was a great general book for looking at qualitative data analysis methodologies. I am writing the last two chapters of my dissertation and this was very helpful.

4 of 4 people found the following review helpful.
Perfect for your dissertation work!
By Lizzie
Are you trying to write a good proposal? This book has guiding fundamentals of qualitative methodology practices to help guide you through the analyzing process.

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Rabu, 10 Maret 2010

[W788.Ebook] Free PDF Horovitz Plays: "The Indian Wants the Bronx", "Line", "The Widow's Blind Date", "Park Your Car in Harvard Yard", "Cat-lady" v. 1 (Contempor

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Horovitz Plays:

  • Sales Rank: #1762711 in Books
  • Published on: 2006
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .67" w x 5.08" l, .0 pounds
  • Binding: Paperback
  • 272 pages

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[U304.Ebook] PDF Ebook The Art of Tsukamaki, by Thomas L Buck

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The Art of Tsukamaki, by Thomas L Buck

Tsukamaki, combining aesthetics, form and function, is the deceptively simple Japanese art of sword handle wrapping. Dr. Buck's work presents a general historical overview of the evolution of Japanese samurai swords and sword mounts, as well as step-by-step instructions and diagrams for 25 specific types of sword handle wrapping. It also includes a compact visual glossary of Japanese swords, general temper patterns and common signature characters. As a reference book, it is both an excellent introduction to the art of Tsukamaki, and a complete how-to guide for the beginner tsukamaki-shi, or sword handle wrapper.

  • Sales Rank: #228999 in Books
  • Published on: 2012-01-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .31" w x 8.00" l, .60 pounds
  • Binding: Paperback
  • 130 pages

From the Author
This was not intended to be an elaborately illustrated book of Japanese sword masterpieces or museum collections, but more of an easy reference to the methods, materials and tools of Tsukamaki, and a practical starting point for anyone interested in Japanese sword handle repair.�

The book has a brief history of significant changes in Japanese sword design; a guide to setting up a Tsukamaki workshop; and, easy-to-follow illustrations for twenty-five of the more common styles of sword handle design. I also included three case studies on the disassembly, maintenance, repair and/or rebuilding of sword handles, as well as a visual glossary for the identification and understanding of such things as general Japanese sword parts, temper patterns, blade design, terms and definitions, and signature characters.

About the Author
Dr. Thomas Buck has been collecting and studying the Japanese Art Sword for over thirty years, acquiring his first Samurai Sword in October, 1975. In 1987, with the guidance of Dr. W. Y. Takahashi, Sensei, he began a three year intensive study/apprenticeship of the restoration and preservation techniques of John Grimmitt and Takahiro Ichinose, concentrating his research on Tsukamaki and Japanese Lacquer-ware. Since 1988, he has been performing restoration and research work on tsuka for various institutions, private collectors, and dealers.

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8 of 8 people found the following review helpful.
More than the title implies
By wiredweird
Traditional Japanese swordmaking stands among the most refined and complex of arts. In fact, it combines a number of different arts, including that of wrapping the hilt (the "tsuka"). This book covers that craft in enough detail for the determined artisan to put those techniques to use - not necessarily in such warlike manner. The reader finds more than two dozen variations, with surprising details like the use of paper shims to compensate for the thickness of layered bands. There's also a "tear-down" of an antique tsuka being restored by conservators - something very few artisans would be priveleged to see. I fault this part of the book only for lack of clarity in the knotwork that ties off the ends of the wrapping material

More than that, though, Buck gives brief but dense history of the swords themselves, describing how the blades' shape, length, construction, and metallurgy evolved over time. He details different patterns that remain from tempering the edge, and that appear in striations on the tang. Additional details cover signature markings, shape of tsuka, and some of the ornaments on hilt and guard. The author describes tsukamaki itself in a usable level of detail, but brings a lot more to the interested reader, too.

-- wiredweird

7 of 7 people found the following review helpful.
Worth 2x the cost!
By Curtis Richter
Mr. Buck starts with the history of the Nihonto, then moves to many different styles (with great illustrations and explainations) of how to successfully learn Tsukamaki. I wish I'd have had this book a year ago - it would have saved me hours of learning the hard way!

5 of 5 people found the following review helpful.
Tsukamaki Book
By C. Treichel
Excellent instructional book whick describes in detail and with great pictures how to create many different styles of tsuka maki.

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Sabtu, 06 Maret 2010

[X327.Ebook] Free PDF Notes on Meterology (The Kemp and Young Series), by Richard Kemp, Young, Kemp

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Notes on Meterology (The Kemp and Young Series), by Richard Kemp, Young, Kemp

Part of the Kemp and Young series, this book provides a concise introduction to meteorology. Information is presented using diagrams, illustrations and worked examples. Mathematics is kept to a necessary minimum and there is a comprehensive index to aid quick reference. Notes on Meteorology is suitable for First Officer or Master Marine certification exams, those new to sea faring, and those whose practical experience is limited to narrow areas and wish to expand their knowledge.

  • Sales Rank: #3482043 in eBooks
  • Published on: 2013-10-11
  • Released on: 2013-10-11
  • Format: Kindle eBook

Review
'The text is succinct, well written and, although comparatively short, heavily supplemented by figures and tables. - Marine Engineers Review, February 1994

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